For Immediate Release
Jelena
Tomasevic
Joy of Life II
Opening Sunday, January 22nd: 6 – 9 pm
January 22 – March 14, 2006
Reality under the stuffy cover of “art”… No trick
cheeky enough, no exciting techniques, no effects strong enough…
(JT)
Thrust Projects
is thrilled to present a solo exhibition of new work by Jelena Tomasevic,
opening Sunday, January 22, 2006 through March 14, 2006. Entitled Joy
Of Life II, the show is the suite to Joy of Life, a series
of paintings exhibited in the Serbia/Montenegro Pavilion at the 51st
Venice Biennial.
Jelena Tomasevic’s
twenty or so paintings of figures, interiors, and architectural models
are taken from her personal photographic archive, magazines, and newspapers.
The canvases, each approximately 28 x 35 inches, are hung flat on the
wall, and the effect is an installation of individual storyboards. Influenced
by film directors such as Jean-Luc Goddard and Lars Van Trier, these
paintings Tomasevic explain, emphasize the human need for the meaning
of life, whatever it may be.
Intimate interior
scenes of home are placed adjacent to figures strolling outside; in
one image a man with an electrical cord around his neck is joined by
a woman staring nonchalantly out at the viewer. Death and life, violence
and humor, joy and sadness exist in a new, sometimes sinister and engaging
reality.
Jelena Tomasevic
is part of a new generation of artists from Montenegro/Serbia, a region
undergoing reconstruction after being heavily marked by war and political
turmoil. Born in 1974 in Podgorica, Montenegro, she graduated from the
School of Fine Arts, Cetinje, Montenegro. Her work been has been shown
in several museums: the Kunstalle Fridericianum Kassel,
Germany, with In the Gorges of the Balkans, Il Bienal
de Jafre, Jafre (Girona), Spain, and the Kuenstlerhaus
Bethanien Berlin, Germany, with Montenegrin Beauty.
In addition, there
will be a panel discussion on artists emerging from the former Yugoslavia
with Jovana Stokic, Institute of Fine Arts, New York
University and guest speaker Catherine Karl, curator
of the Drawing Center, New York, Thursday, January 26 from 6:30 - 8:30
pm. For further information, please contact us at 212 431 4802 or info@thrustprojects.com.
The gallery is located at 114 Bowery between Grand and Hester on the
3rd floor. Hours: Wednesday through Sunday from 12 - 6 pm.
Tomasevic's
little figurative pieces--hardly "paintings" in the strict
sense of the word--combine acrylic and Sellotape on canvas. Widely spaced,
they punctuate brushily textured dark gray walls in staggered rows to
form a wraparound installation. Tomasevic's room is one component of
the Serbia and Montenegro pavilion, in which two other artists contribute
as well; the overall presentation is titled "The Eros of Slight
Offence."
Tomasevic's images are, indeed, as stated in the catalogue by the commissioner
of the pavilion, "of the order of 'modest trespasses' ... that
penetrate unexpected places." These precisely drawn vignettes have
something of the cartoon about them, although the humor is low-key,
scarcely adumbrated. In one, a handsome, bearded older man, a famous
intellectual, perhaps, is shown in half-length close-up with his head
in the grip of a giant pair of pliers that draws blood; the handles
of the pliers are bright yellow, the blood red; all else is black and
white or grisaille. A young woman photographer, much more delicately
sketched, snaps a picture in the background. In another image, a seductive
female in a strapless dress lies on a couch under a large lamp hanging
by a cord above her, while the right side of the image is blocked off
by what seems to be a wall and pavement. It is difficult to describe
the effect of these paintings, or to say how their memorable strangeness
is achieved; yet they have remained in my head ever since I saw them.
Excerpt from Linda Nochlin, “AD 2005”, Art in
America, September 2005